You know, I’ve been listening to some Tekken soundtracks yesterday, and strikes me how both SF and TK evolved their OSTs along one similar scheme
Basically, the original games come and set up some classic and memorable tracks
Then comes a sequel that changes up the style to something that is really different from previous titles
And then comes another sequel that sets on some trending style of music and goes from there
But speaking of the style, I think the fact that Capcom went on to change SF4’s OST to Electronic music and its variations comes from Ono/Harada relationship, since Tekken has had the techno/electro music pretty much since the early 90’s. Also I think that Namco are the only people who can really deliver on the electro-style OST. Especially how they combined that style with some heavy gutars, or just straight out make songs within either of the two styles.
Capcom tried to do that with SF4 and… well, in my opinion it didn’t turn out quite the way it was intended to. Instead of having quality tracks - it’s a mish mash of hundreds of instruments, or we get something like Rose’s theme, for example.
I also like how T6’s theme creates hype for choosing a character, and how TTT2’s main menu theme sets a mood for the whole game as a big spectacle, a festival, a grand event, a massive tournament
I think neither SF4 nor SFxT achieve that. I mean, SF4 started with some shitty boyband pop song, for Christ’s sake
Basically, if anything, I’d like Capcom to take Tekken 5 and 6’s direction when composing SF5’s soundtrack
Prime examples are:
[details=Spoiler]http://www.youtube.com/watch?v=vsWPtiizF1M
And just some random thoughts:
I really like how Tekken kinda changed up their style going from one entry to another. It’s always mostly one direction - which is techno/electro stuff, but look at how they’ve started with Tekken 1 and 2 being just Electro, then Tekken 3 brought in some guitars that created this 90’s feel, then Tekken 4 drasctically changed the whole music into more atmospheric and gritty one, then Tekken Tag follows that scheme, then Tekken 5 comes and returns to T3’s style but now with some orchestral tracks, same with Tekken 6, then Tag Tournament 2 comes and goes more EDM, while combining different styles - house, techno, trance, dubstep, and now Tekken 7 goes mostly full WUB WUB. It’s a very interesting evolution of the series’ music, while most of other fighting game series primarily stick to just one style (for example - MK was about techno up until MK4, GG was always hard/heavy rock, etc.).