I still need to read Kick-Ass. I figure it’s one of Mark Millar’s books where he can just cut loose and do whatever the hell he wants in some ridiculous, overexaggerated story and it’d still make sense, so it should be pretty good.
Like in Wanted, how it was his own universe, and he could do anything he wanted, and did. No subtlety anywhere throughout the book, just fuck you this, fuck you that…that’s Mark Millar. Anyone who complained that it was too over the top and there was too much swearing or too much gratuitous violence or cursing or mentions of feces or rape or fucking or whatever…well I’m sorry, that’s Mark Millar. He does that in every single goddamn book. The reason Wanted was so great was that it was the only book in which it made sense to do so.
Like Wolverine: Enemy of the State, where he travels to some mystical ninja Hand city and kills literally THOUSANDS of ninjas, while strapped with jetpacks and Dragonball Z eye scanners and whatever? Yeah, way too over the top, just too insane of an envelope pushed way too hard just for the sake of pushing the envelope. Or Ultimates. Or Authority. Or whatever else he does, the man just doesn’t understand the concept of NOT going 210% with everything.
Claremont struggles because he can’t write a scene in which characters can’t help but explain everything through dialogue. (Wolverine jumping on top of a robot and stabbing him while saying “Well let’s just see how tough you are, bub, when I jump on top of you and slice you with my adamantium claws!”)
In the exact same way, Mark Millar can’t tell characterize someone without hitting you in the head with it every time they appear or tell a story without taking it to the utmost extreme, for absolutely no reason other than to make it extreme.
It’s not bad, actually.
Hasn’t been great by any stretches either - I just keep thinking about how much better the earlier runs with Joe Kelly and Gail Simone (Agent X and etc.) were.
And there’s so much text! It’s like Bendis wrote Deadpool…only there’s no real wit or great dialogue in it so it reads more like homework than anything. Honestly, like fifteen text bubbles in a page is way too much to read for a humour book.
There’s no plot development (because there’s no real plots in Deadpool), no character development (because…it’s Deadpool), so it’s just all gags…and you can’t pull those off with text. You’re better off reading like I don’t know, Voltaire or some shit better than this volume of Deadpool.
YES, I SAID IT
YES, THEY DESERVED TO DIE, AND I HOPE THEY BURN IN HELL
Man, I’m just helping you! These are the books in which you should not waste your time and money reading, and instead, these are the books which will give you great pleasure reading instead for your hard earned time and money.
I’ve been there! I’ve paid my dues in crappy books, and I’ve found the better way! You don’t need to suffer as I did, like buying two issues of Dreamwave’s Transformers a month, you can skip all that!
Seriously, any Essential collection of Fantastic Four reads like Wifebeating for Dummys.
Man, the 60’s were awesome.