^ Shinsekai’s first ED is catchy. Go download it. I has both.
God damn jack booted government confiscated my quasi pornographic yuri manga at the border.
My biggest fear is that they are going to charge me for possession of child pornography and send me to sexy loli jail.
SSY 1st ED is good shit.
Kromo soooo gonna get anal butt raped by fat sex-starved muscle-bound sexy loli’s.
What anime is this?
Tamako Market Nigs.
I want a little brown girl so badly…
I’d hug her and squeeze her and love her forever and ever…
guhhuheheuhehuu
Fuck that song is SO good. I really need to find a CD by them or something.
Saki had a lot of lolis in it, loli mahjong
#random
^ That show couldn’t finish its last episode. After Side-A ep13 which aired in December, it was as if they canceled the show. And only about a month ago did 14 get released. There’s still one more episode to go too.
There’s Anime-sharing if you want a har har bootleg copy. The CD also contains the second ED.
I have the single, I just mean I want more of that group
The song’s sung by Saki’s VA who pretty much just made her big splash into the industry this year.
No. It’s not.
that was awful
i think i have cancer now
Well I’ll definitely keep track of her at least.
*I just finished Pluto by Naoki Urasawa and felt it was a pretty entertaining albeit short retelling of Tezuka’s Astro Boy. Urasawa does a great job on revisioning the original source material and reshaping it into a contemporary yet futuristic society in which the world has changed after a global war was waged over " Weapons of Mass Destruction" grade robots. Urasawa accomplishes this by building up the contrasting points over character arcs, never quite giving the reader too much all at one time. It’s from there that I was able to connect the intersecting points of his revisionist future from our own present era along with Tezuka’s original futuristic impressions. From this viewpoint I noticed Pluto immediately treats the spirit of the source material with respect while giving it a different breath of fresh air.
The focus of the story is centered around detective Gesicht who is trying to solve a string of serial murders on humans and the concurrent case of the annihilation of the 7 Mass Destruction robots. Gesicht right off the bat struck me as a sullen, milquetoast of a detective who’s job has almost grown to become rudimentary but necessary. It was truly intriguing to follow him as he tries to figure out both cases and how they connect to one each other and who’s behind them and his character growth. How Gesicht interacts with other characters was also done excellently in my opinion and that was another strong part of the series. The characterization and interaction of the different sort of personalities that is depicted in general of Pluto’s post war era is quite strong.
Of particular interst was the 7 robots of mass destruction, all of whom gets adequate time in the spotlight and adequate time to get fleshed out. However this is where the brevity of the series presents itself as a con. The 7 robots which play a large role in the story and takes the lions share of pages, all have too shorta time in the limelight. I, myself really liked North Mk.2 who I thoughtwas extracted from the story much too soon after his introduction: this was repeated throughout the story. I felt the 7 great robot wonders could have had even more pagetime because they were written so damn good and felt either genuinely likable or intriguing.
Another con of the story was that the focus at around volume 5 (which there is 8 volumes IN TOTAL for the story) switched from focusing on Gesicht and started to bounce around a couple of characters. Namely Atom who while he was the main character in the original work I felt his character wasn’t changed radically from the original AstroBoy. Also towards the end of the story while the wrap up didn’t feel rushed per se, it did feel like the author noticed he did have to quicken the pace of the story. I also didn’t get very much mileage out of the bashfulness of “how similar robots are to humans” which permeated throughout the work. None of these mind you are big knocks against Pluto as a whole but nonetheless are the downsides I came away with after reading through it.
Overall I’d say Pluto was pretty damn good and while It wasn’t exactly groundbreaking it was entertaining and had a good bevy of strong points even though the entirety of the story go by rather quick. Before I forget: Urasawa reuses character designs from Monster (and other series) and inserts them in Pluto much in the same way Tezuka reused his characters in his other works and this was something I LOVED.
I’d suggest Pluto to anybody who likes mystery or sci-fi series or Tezukas/Ura’s previous work. **I give Pluto a 7.5 to 8 out of 10. **
Inferno Cop is the bomb. It gives absolutely no fuck and just does whatever the hell it wants. Shout outs to Studio Trigger (former and ex-Gainax dudes) for being povo as shit and making it work so damn well.
(turn on english captions)
It’s only 13x 2 min episodes, so no excuses. Get on it and thank me later.
What group? lol
Someone composed it, she sang it. No group at all I’m afraid.
edit: snooped for a minute. Found out that Chikara Ozaki composed Waretu Ringo. If you’re interested, Komori Shigeo composed Yuki no Saku Hana.
Sometimes in life… your dad’s approval is more important than banging hot chicks. Sometimes.