Sir you are a trooper, I did not have the mental capacity for Crime and Punishment. I felt sometimes Dostoevsky would write just to write and the main character is Rodia is a Russian Holden Caulfield, a whiny brat whose ego is too big for his own good.
Looking back at it, I couldnāt say much happens in it, but I did really enjoy it. And yes, Rodia is a bit angsty, thatās part of the point.
I read a lot of Murakami this Summer. *Dance, Dance, Dance, Sputnik Sweetheart *and just finished *Kafka on the Shore. *All awesome books. I wonāt have much time to read for pleasure since classes just started up again.
One of my favorite sci fi books is *Shadow and Claw:The Book of the New Sun. *
Crime & Punishment is a bit much, but itās a huge influence on roughly 46% of my favorite movies, so I powered through it. JUST BECAUSE.
Anyone wanna make 50 bucks by writting an essay for me?
edit: its about a rose for emily
Nopeā¦hahahah
What does everyone think of the new Les Mis movie being based on the musical? Would anyone like to see a movie based off the actual literature? Maybe an HBO mini series?
Thank you for not spoiling it. Totally reading that soon. :tup:
Ever since 1986ās Phantom, Musicals have taken on a life of their own on stage. at least this is what I tend to think. :tup:
NEUROMANCER
READ IT
Manx, lemme know what you think of it since you[S]r[/S]'re [S]a Stephenson whore [/S]more familiar with Stephensonās classics. Neuromancer ordered from the library
Neuromancer is Gibsonās least readable work-- which isnāt to say that itās not a classic, just that stylistically almost everything else he wrote is smoother reading. (Also, the subgenre he helped define is called cyberpunk; the science fiction genre itself came in to being of course well before Gibsonās heyday.)
Hereās a Gibson short story from around the time of Neuromancer thatās pretty much a must read for any fan: Burning Chrome
Also, if you like William Gibson be sure to check out the work of Bruce Sterling. Iād particularly recommend the short story collections, but if you want a novel to dig into first Iād go with Distraction or Heavy Weather
Stephensonās science fiction work is generally considered post-cyberpunk. He even gives a kind of back-handed nod to this fact in the beginning of his novel The Diamond Age where the travails of the guy with the gun implanted in his head read as a bit of a light-hearted pastiche of the cyberpunk genre. By the way, if anyone interested hasnāt read it Iād put forward The Diamond Age as Stephensonās best work, just ahead of Cryptonomicon.
If anyone is looking for a good starting point to becoming more broadly read in science fiction generally, the best starting point I can think of is The Science Fiction Hall of Fame vol 1. Ridiculously good stuff, including the original short story versions of [S]Enderās Game and[/S] Flowers for Algernon.
Edit- whoops, my bad, just went back through my collection and the Enderās Game short story isnāt in that volume. THIS IN NO WAY DIMINISHES THE EPIC GOODNESS IN THAT BOOK. Thank you.
Him and Sterling also co-oped a book called The Difference Engine, which apparently inspired alot of Steampunk?
Only got like halfway through that one.
I read that back around when it first went to paperback in the mid-nineties. I donāt remember it terribly well, except I recall my impression that the storyās setting was rather more interesting than its plot.
I think the literary roots of what weād consider steampunk were already established before The Difference Engine came out, but I do think the popularization of the term āsteampunkā, which came about as a derivation of the term ācyberpunkā, owes a lot to that novel.
My new project is City of God by St. Augustine. Iām not religious but since itās so influential Iām giving it a shot. So far it has been about 100 pages of begging the question (in the logical sense). He had some funny things to say about rape victims. Been raped? You might have been too proud and this will humble you. You werenāt proud? Well, maybe you would have become proud, and now you wonāt. Besides-and this is the airtight, unbeatable argument-God works in mysterious ways. Iām not even misrepresenting this eitherā¦
As far as good books, I really like Studs Terkelās oral histories. Hard Times, āThe Good Warā, and Working were all good reads. A good companion to any Western WWII history book is Japan at War: An Oral History. These particular Japanese people donāt hold anything back. Brutally honest.
For those who are aiming to read Atlas Shrugged, ignore the guy who recommended that. Itās way longer than it needs to be, and you can get most of the point from reading the much shorter novella by her, Anthem
Currently reading The Island of Dr. Moreau, and some book on engineering.
Both are pretty cool I guessā¦ I just sort of got the former 'cause I went to Wells in a library spontaneously.
my issue with Dos (and other authors who do the same) is that he should just be writing essays about his beliefs/philosophy instead of passing it off as aā¦novel? literature? at times i just feel like i am reading your philosophical views out of my moral philosophy textbook which is a compilation of essays. truly great authors blend their ideas into the writing itself rather than have a character do a 5 page monologue on whatās good. NAW MEAN. just saying.
btw. i cant stand charles dickens. random thought.
im outi
Roberth
I think Lord of the Flies is a pretty good reflection of the internet.
Sucks to your ass-mar, Piggy!
Different eras. Back then there wasnāt any venue to air your opinions like there is now. We have blogs and sites and forums and youtube and facebook and protests and the evening news and everything else. Back then, write a book. People actually expected you to have a āpointā when you wrote. Of course, that doesnāt mean that there wasnāt the usual drivel being produced just as there still is now.
Also, why the hate on Dickens? About 90% of the time I hear people hate on Dickens, they hate on him for some bullshit reasons such as him being too windy and descriptive. His descriptions were really well done. They tied character to scene really well, which is important to the period in which your audience hasnāt seen half of the shit youāre talking about and therefore canāt visualize it. Heās a master of making his descriptions highly relevant, even if they can honestly be a minor chore to read today, and then get right back to the point with real profoundness that drills home his theme. People try to call Dickens out on being off-topic with superfluously floral descriptions, when in fact the exact opposite could perhaps more easily be claimed. :tup: