I’m gonna apologize to everybody in this thread early for entertaining this-- but this happens too often, so lets just get this straight while I’m here for the moment.
This is what I’ve done in the past 2 years:
I’m the second person in history to attend one of the (if not THE)most prolific music schools in the world for just that-- rapping. I’m the first person in history to get into their premiere vocal showcase-- with an original in only my second semester for that-- rapping. I came to Boston, a city where it’s ridiculously hard to find places to accommodate a live hip hop act-- and I perform consistently to good crowds(last show I did was 261 attendees out of a max 300 for the room, I was right before the headliner on the bill). I had no connections to this school, mediocre grade point average for transferring, and took zero music classes prior to applying-- so literally the ONLY way I could’ve gotten through was the audition process-- which in my entering year(2013) had only a 10% acceptance rate. I am currently mentored and supported at this school by two grammy award winning professors-- one who worked heavily with Biggie Smalls, and one who mixed “Stankonia” from Outkast.
But of course I objectively have no knowledge of music, right? Hey, without googling the answer if I’m in Ab minor and I have a SUBV7/IV, what would be the chord I resolve to? Maybe you could explain to us the chord scale that SUBV would take in that key? Or could you remind me again the difference between Contrary and Direct 5ths? Or why in Tonal music you aren’t suppose to have Contrary or Direct 5ths as opposed to Jazz Harmony? Hey-- remind me again what standard blues progression would be?
Let’s not even talk about getting 2nd at the first Berklee sponsored battle of the bands, or that I’ve been on Television, or on Red Vs. Blue, or that prior to my friend dying that I was going to be writing music for RBWY, or that I was one of the few students who got to perform a solo ORIGINAL for Harry Belafonte(one of the major contributors to the Civil Rights movement) at his honorary doctorate concert, or that I got to perform at a similar tribute for Talib Kweli when he came here, or that I organized and helped write the song consistently used by EVO as their theme since 2011, or that a day or two after the Mike Brown verdict it was one of the songs I was featured on that was played at a church congregation in Ferguson, or that after hanging with J-Dubz, Neal Pogue and Tomi Martin in Atlanta and was asked to keep consistently sending them music because they saw potential in what I was doing.
You don’t have to like what I do, you may not even agree with it. You’re 100 percent free to have an opinion and not like my stuff. It’s music, it’s totally subjective. But lets stop pretending like you somehow have a valid argument as to why I should stop doing this. You don’t. For the last two years everything that has happened has had 0 percent of your input. Because you don’t do anything. Literally nothing you have said about me or the viability of my music has been correct. While we’re at it, what exactly have you contributed to the community? I may not have finished Ranbat-- but 4 documentaries, trailers, articles, videos, event coverage-- what have you done? When you start doing shit, lemme know. When you accomplish half of what’s up there in your given field- you have a right to tell me what I can’t do, how much I shouldn’t be rapping. You are in a very vocal minority.
I take pride in what I do, and it took a look of hard work and sacrifices to get where I am. If you have a problem with my music-- you’re free to hit that PM button and take it there, but don’t derail the thread with your petty bullshit grievance that you don’t like that I’m succeeding at something I work incredibly hard for. You have a very sad life, and I hope you wake up with spiders in your penis.