cr.LP xx Rekka is a simple two in one motion. Several ways to accomplish this:
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Classic quick tap-tap: Using the same finger, cr.LP for one tap, do the :df::r:, then tap punch again for the Rekka. Works best when using the same strength Rekka as the punch.
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Negative edge: cr.LP and hold the punch, do the motion, then release punch. Works best for OS’ing a Rekka from a cr.LP poke, though the OS itself is pretty pathetic. Works best for cr.LP to a LP Rekka specifically.
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Double Tap: cr.LP, motion, and LP for the LP Rekka. Faster than a normal tap-tap (sounds more like a “brppp”) since you use two fingers in quick succession. Works only for Rekkas using the same-strength punch as the normal punch.
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Piano method: You can use this with cr.LP and any strength of Rekka. On a stick, hit cr.LP with your index finger and use your other fingers to hit the other punch buttons as you complete the motion. Each press is like a quick strum–fingers should be dancing. Alternatively, limit your piano-ing to two strengths of Rekkas to be more accurate with which Rekka comes out. By doing LP and HP for my piano, I normally get HP Rekkas both due to rhythm and input priority (in the case of pressing both buttons by accident).
Start with cr.LP xx HP Rekka. It’s the exact same thing as Ryu’s cr.MK xx fireball. You shouldn’t have a problem with that, but if you do, then maybe Fei isn’t right for you. From there, work backwards to perfect the link. Do st.LP> cr.LP xx Rekkas and get it to combo. Only once you’ve mastered that should you start adding cr.LKs.
Currently, you say that your inputs are perfect. Likely your problem is timing. Work on getting your motion faster and your press faster as well.
Lol, having a tough time believing he was a top tourney pro. Or mayyyyybe you’re exaggerating about beating the shit outta him. Either way though, keep working at the link and you’ll improve performance drastically.