BREAKING: Bipartisan House Vote Passes Police Reform Bill That Bans Chokeholds, Qualified Immunity, and No-Knock Warrants
A police reform bill authored by House Democrats passed Thursday night by a 236 â 181 vote, a day after Senate Democrats blocked Sen. Tim Scott âs (R-SC) GOP-backed bill on police reform.
Three House Republicans âRep. Brian Fitzpatrick (R-PA), Rep. Will Hurd (R-TX), and Rep. Fred Upton (R-MI) â joined the entire Democratic House caucus to support the bill, which was named after George Floyd , whose alleged murder by Minneapolis police in May sparked nationwide outrage and unrest. The House bill will now head to the Senate where it is likely dead on arrival in that chamberâs Republican-led majority.
Last Wednesday, Republicans introduced legislation that would encourage police departments to end the use of chokeholds on suspects, but still allows the dangerous submission tactic if the officer deems his or her life is at stake. Senate Democrats criticized that policy as falling short of significant reform and and also opposed the GOP reform effort for failing to ban no-knock warrants â one of which was used in the police killing of Breonna Taylor â and qualified immunity for police misconduct.
In fiery speech, Scott had called out Democrats for blocking a vote and said, âWhy wouldnât you take the 80% now, see if you can win the election and add on the other 20%. Youâve got to be kidding me. Because the who matters, they cannot allow this party to be seen as a party that reaches out to all communities in this nation.â
The bill proposed by House Democrats goes further, as it outright bans chokeholds, ends qualified immunity for police, and eliminates no-knock warrants around the nation. It also helps victims of abuse from police face fewer obstacles to file civil lawsuits against specific departments.
âToday with the George Floyd justice and policing act, the House is honoring his life and the lives of all those killed by police brutality and pledging: Never again,â House Speaker Nancy Pelosi said Thursday. âWhen we pass this bill, the Senate will have a choice to honor George Floydâs life or to do nothing,â
Gone With The Wind Returns to HBO Max With Four-Minute Disclaimer: Its âNostalgia Denies the Horrors of Slaveryâ

HBO Max has added 1939 civil war epic Gone With The Wind back to its library after removing the film two weeks ago amid nationwide protests. But if you click on the video now, thereâs a four-minute, 26-second disclaimer describing its problematic depiction of slavery.
The platformâs decision to remove the film on June 10 came after an op-ed in the Los Angeles Times by 12 Years A Slave screenwriter John Ridley which called for the filmâs removal.
âIt doesnât just âfall shortâ with regard to representation,â Ridley wrote. âIt is a film that glorifies the antebellum south. It is a film that, when it is not ignoring the horrors of slavery, pauses only to perpetuate some of the most painful stereotypes of people of color.â
While HBO did note at the time that the film would eventually return to the streaming service, several notable media personalities like Megyn Kelly and Dave Rubin ranted about the decision in early June. Rubin even said on Fox News that he canceled his HBO account after the decision and some of his family members âarenât that happy with me.â
The introductory disclaimer attached to the film is told by Jacqueline Stewart, a professor of cinema and film studies at the University of Chicago Stewart, who called the film âone of most enduringly popular films of all time.â But Stewart is quick to note the film largely ignores âthe horrors of slavery.â
âThe film has been repeatedly protested, dating back the announcement of its production,â Stewart said. âProducer David O. Selznick was well aware that Black audiences were deeply concerned about the filmâs handling of the topic of slavery and its treatment of Black characters.â
The film won eight Academy Awards, including best picture in 1939. Hattie McDaniel, who played âMammyâ in the film, became the first Black person to win an Oscar. Because of segregation, McDaniel was not allowed to sit with her fellow cast members during the ceremony.
Stewart also said Gone With The Wind shows âservants notable for their devotion to their white masters or for their ineptitudeâ while its narrative is âthrough a lens of nostalgia [that] denies the horrors of slavery, as well as its legacies of racial inequality.â